Multimedia Chronicles
“Bodies moving on a big, flat screen do not have the same effect on an audience as bodies moving on a stage in the world. Cinema abstracts the human body and distances it from the viewer, and while those qualities have been used to great advantage in the history of movies, they muted precisely what Wenders was hoping to record—the visceral, emotional, muscular experience of watching Pina Bausch’s dance theater in real space.”— Siri Hustvedt, Pina: Dancing for Dance 3D done right.

“Bodies moving on a big, flat screen do not have the same effect on an audience as bodies moving on a stage in the world. Cinema abstracts the human body and distances it from the viewer, and while those qualities have been used to great advantage in the history of movies, they muted precisely what Wenders was hoping to record—the visceral, emotional, muscular experience of watching Pina Bausch’s dance theater in real space.”

— Siri Hustvedt, Pina: Dancing for Dance

3D done right.

Reblogged 3 months ago from criterioncollection
82 notes
Tagged: Pina, Wim Wenders, 3D, Documentary, .
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    Wim Wenders, Pina, 2011.
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